THE FIELD REPORTER

The Field Reporter is a journal intended to publish exclusive reviews of works that involve the use of field recordings (raw or processed)  in their creative process; the reviews are written by artists, curators and label managers that are closely engaged with this line of work.

The team of writers is composed by:

EDITORS

Daniel Crokaert (label manager at Mystery Sea, Unfathmoless)
Ennio Mazzon (sound artist and manager at Ripples)
Flavien Gillié (sound artist)
Jay-Dea Lopez (sound artist and journalist at Sounds Like Noise)
Cheryl Tipp (Wildlife Sounds Curator at the British Library)
Jukka Vakkinen-Kannonen (sound artist)
David Velez (sound artist and staffer at Impulsive Habitat)
Chris Whitehead (sound artist)
James Wyness (sound artist)

COLLABORATORS

Juan José Calarco (sound artist and staffer at Impulsive Habitat)
Cordell Klier (sound artist)
Jez Riley French (sound artist)
Harry Towell (sound artist and manager at Audio Gourmet)
Simon Whetham (sound artist)

* some writers will be using pseudonyms

The Field Reporter editors and collaborators have an agreement not to review their own work, the publications from their labels or projects that they are involved with, this with the purpose to always offer the readers a neutral perspective.

CONTACT US

thefieldreportermag(at)gmail(dot)com
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